Tea & Bites, Art Hopping & The Fantastic Mind that is Mark Manders

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Two of the greatest fruits of my first job.

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Examining intellectual men.

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I implore my girlfriends for the memory stocked #selfie

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This too for memories.

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A joyful trick of the eye. This is cast bronze, not clay.

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A close view at the faces and you’ll see they are all the same. A simple view of self-potraiture

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Lips

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A body, un-indentified. The pen/pencil, a door of entry to the mind.

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The floor itself acts as a canvas, like a painting as it’s been stretched and staples onto a wooden board acting as perimeter to the room. Thoughtful! Process oriented.

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Mark Manders: Writing Yellow on view at Tanya Bonakdar Gallery, 521 W. 21st St. On view until May 24, 2019

Club 57: Film, Performance, and Art in the East Village, 1978–1983

Night So much experimentation and fun in the 70s and 80s, I wish I was a part of it:

 

 

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Customized Matchbooks for Club 57’s 1983 Matchbook Show

 

 

 

Complement these visuals with the 1967 track of ze Vegetables  by The Beach Boys.

PSA*** Let me just say MoMA’s current exhibits are amazing (Specifically, three). This is a good month to go. I won’t spoil it for you, but there are some new, reckoning art for you to see.

Running through April 1 at The Museum of Modern Art.

Complement these visuals with the 1967 track of ze Vegetables  by The Beach Boys.

Inside My Tulips

When something so simple can give you so much joy:

Start: Pot + 5 tulip bulbs

Flower Bloom:

The beautiful prints and propeller shapes formed by the overlapping petals.

Can you see the pretty fuzz on top of the tulip? It’s supposed to be mold though. 😦

The richness of the flowers’ robes.

13 hours time:

Inspired, so I paint (acrylic and watercolour):

Another day:

Chop chop :

I placed the flowers in a mason jar and headed to my sister’s to surprise her.

2 Days Later: My sister, inspired like me by their beauty started drawing as well.

She is the best drawer in our family by far. 🙂

How To Fall In Love With Art

How long has it been?

Up until college, I had grown up with an appreciation for fine art thanks to my parents, but it was never really something I had sought out on my own.

I knew enough “art” to maintain my sense of weird, self-righteous adolescent pride in being cultured and artsy. My interest was driven by nothing else really of nobler substance.

At 18, I moved to New York for college, and I enrolled in an art crit class on a whim during freshman year: the Art of Now course at New York University.

Fast forward to 2013, when I studied abroad in Shanghai. I decided to take on a heavier workload of art classes and immersed myself in contemporary and Asian art. I don’t remember much of the art I saw in detail, but this period of time would leave an indelible mark on me, and it was a catalyst for my passion.

Hu Jieming, Casual Status, 1992

I returned, enrolled in some more art classes.. a studio class in drawing.

During my time as a student, I had more time in the afternoons and between classes to do other things (doing nothing, meeting friends at cafes or for lunch in the West Village, chilling near fountains – damn life from 18-22 was so sweet) and I began exploring gallery spaces and art exhibitions everywhere! pretty intensely.

A pic I snapped years ago on another trip to Pace Gallery.

I started taking random things at home: scissors, a tableweight, a pepper from the kitchen, a rose and draw.

 

So newly inspired I was by the intricate beauty in all things that held form, line, and shape.

I was falling in love with art then.

I began to accumulate a larger inventory of the things I liked and disliked, formulate stronger opinions backed by a latticework of thoughts and experiences built thanks to the plenitude of art I’ve seen in the years which have since passed post- college.

For example, I prefer minimalism and modernism. I like French impressionism, and abstract expressionism.

For some reason, Surrealism and Dada works get me.

Man Ray, Ingre’s Violin

Gustav Klimt and Egon Schiele works are so luscious and rich. Contemporary movements like pop surrealism, otherwise knowns as “Lowbrow” art are so cool.

Mark Ryden, the father of Pop-Surrealism

I don’t find a lot of photography art to be impressive, but I’m okay with that. Installations with various forms of media are sometimes a hit or miss for me. I like contemporary art, but I’m not particularly fond of Jeff Koons (active from 1977 – ) or Damien Hirst (1988 – , or Jean-Michel Basquiat (1976 – ). But I do love me my Toyin Ojih Odutola (2008 – , Osamu Yokonami, and Chad Wys (2011 – ) :

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Toyin Ojih Odutola, Above all else make it look effortless, 2012. Pen ink, marker, and varnish on paper.

Chad Wys, Sculpture with a Spectrum 2, 2014. Collage on paper.

It’s 2018 and I love art more than ever.

I move and live every week, drinking in all the things I see, from the daily visuals of life to the more curated representations of art at institutions.

And the more I do that, the more I understand this:

Art is an instrument that instructs the way we see and live our lives. Our lives, in turn, are ripe, breeding grounds for art: new expressions and new manifestos… and who’s to say that the act of life and breathing aren’t art in themselves.

They are synonymous with one another– and I cannot see the difference.

                                                                                                                                                                                                          (on my best days- taha.)

Money Shot by Judith Bernstein

 

My friend Christine and I stopped by the Paul Kasmin Gallery yesterday to check out this LOUD art show, which represents the works of Judith Bernstein, a New York based artist, mainly known for her phallic symbol infused works and her ardent devotion to feminism.

Money Shot is a visual manifesto of some very explicit political commentary (truly, a no holds barred, lacking zero subtly situation). Asides from the strong messaging, the artist used fun and creative mediums like fluorescent paint and light for this exhibit to the delight of myself and the many other art goers that walked into the gallery (Exhibit A: it was fun to see anyone with hair lighter than brown with heads literally lit, and seeing men walk in with their stiff collared shirts noticing in surprise that the collars peeking out of their sweaters were brilliantly highlighted in spacey purple light).

Do I see a Darth Vadar, a skull, and a generic demon here or is it just me?

 

The Trinity Schlong

 

While this artist clearly shows her bias for the strong left, I believe this show is worth going to and seeing– regardless of one’s political affiliation, and preferably with an open mind.

It is worth mentioning and acknowledging the creative and intellectual risks this artist has made to voice out some very controversial and sensitive opinions, and the gallery that chose to represent her with this recent installation.

I applaud you, Paul Kasmin Gallery.

This show runs until March 03, 2018. @ 293 10th Ave., NY.

Best Works of Helmut Newton, “King of Kink”

Helmut Newton is a photographer best known for his erotica fueled snapshots and a taste for capturing fun… stripped bare. He was regarded by many as the “King of Kink” and you can go back to so many issues of Vogue easily with his indelible footprint.

 

U.S. Vogue May 1993, “White Mischief”

 

Here are a couple of my favorite works from this talented German Australian:

 

 

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Woman Examining Man, 1975 for U.S. Vogue

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Nice, 1976

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Unfaithful

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Cruising From Behind

 

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While I don’t appreciate all his works, I do truly think he was the best of his kind for what he did.

There is so much life and mischief captured through a single portrait– he did it so well.

 

33 black-and-white photographs—framed, signed, and numbered—on sale this month at Guy Regal’s showroom in the New York Design Center. Open to the public today.

Art Finds at MoMA

Romanian visual artist Geta Brătescu

American visual artist Joan Jonas‘ riveting 3-D performance

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One of Louise Bourgeois’ smaller arachnoids, perched on the wall:

Part of her exhibition, Louise Bourgeois: An Unfolding Portrait, a showcase of 300 pieces, which is running until January 28, 2018.

 

 

Museum of Modern Art

My 5 Favorite Books of 2017

2017 has been a whirlwind of a year for me. I took on a new job, learned of some big family news, and also confronted some health issues and personal demons of mine..
One of the biggest and most constant sources of joy to me this year was when I read.

I love books [really any form of great writing, short or long form]. I like them for the following reasons:

  1. I can escape into them: On a good, restful day, taking the time to read for myself helps me achieve an even higher state of zen, and on a crazy, tiring day, I can escape the traps of “my depressing life” thinking and jump instead into the world of the book I am reading, and this gives me deep solace and strength. Sometimes they even help me cry and grieve for the things I’ve probably been meaning to cry for, and they help me bring my guard down even if it’s for only a minute to feel what I have been feeling that day, that past week or the past year. Sometimes they bring a greater joy to the things I’ve been experiencing in my life by offering up similar and parallel scenarios that add more color and zest to the contexts of my real life stories.
  2. The authors help me live lives I’ll probably never have the chance of living with this one body. You can’t be in three places at once, but with books– you can! Limits to time, geography, and resources are blown away like “chaff from the wind” (sorry, I had to add in the Biblical reference – har har). I can imagine myself in the village of Combray, France, or find myself the next day in Middletown, Ohio on the suburban streets. I can bring myself back to post-war England in the 1940’s, where the last of true aristocracy habits were finally coming to an end. I can put myself in the shoes of the invisible black man of the early 19th and 20th centuries, of the white man experiencing discrimination from those that cry out “down with white privilege!” or even of the young Irish orphan in Tuam, relegated to a life of social marginalization and impoverished youth.
  3. Books elucidate thoughts I’m thinking and am grappling to understand better. They give me a deeper wisdom about the things out there and add another puzzle piece to the mental “map” I have about the kinds of people, lives, and thoughts I see co-existing in the world at large, from Chile to Cambodia, with time unbound. They tell me I really don’t know much, that I only know so much, and that I need to learn so, much, more in order to do the things I think I’m meant to do in this life (apparently according to the Social Security Administration, I have about 61.6 years, 739 months, or 22,484 days left to figure life out- time’s a tickin’). Every book, every line of well written prose gives me a deeper understanding for the human experience, of the brokenness amongst our global communities, of the complexities of our problems and our progress, and of the shared experiences we as humans all go through, sometime and somewhere on this Earth.

For those who’re not too much of a book reader, I’m sure you probably experience the same kind of things through a different medium. Maybe it’s art. Maybe it’s music or film. Maybe it’s through your career vocation, I don’t know.

Anyways, without further ado, here are my favorite books of 2017:

 

  1. Shoe Dog: A Memoir by the Creator of NIKE by Phil Knight

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2. Hillbilly Elegy: A Memoir of a Family and Culture in Crisis by J.D. Vance

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3. When Breath Becomes Air by Paul Kalanithi

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4. Kick Kennedy: The Charmed Life and Tragic Death of the Favorite Kennedy Daughter by Barbara Leaming

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5. The Brothers Karamazov by Fyodor Dostoevsky (recommended by friends Max and Sewon)

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If you’re interested in seeing what else I’ve been reading, feel free to check out my Reading List, with a list of the books I’ve read from 2016 to present, and Wordy Treasures, which includes my favorite excerpts and aphorisms.

 

Saying Something: Toyin Ojih Odutola

 

Say hello to the newest heavy-weight in portraiture, Toyin Ojih Odutola.

I first became acquainted with this Nigerian artist’s work during a run at the galleries in Chelsea a couple years ago. I remember being so viscerally struck by her drawings that day. They were white pencil on white paper– I had to lower my body and kneel closer to the ground to see what the drawings held. It was a moving experience to encounter the fullness of these white identities she drew out for the appraiser– very controlled and calculated.

I’ve since become fascinated by the unique mark-making techniques she employs.

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Imagine a big drawing like this, except everything was white on white.

 

The Brooklyn based artist uses whirls and lots of hairy (really that’s what it looks like in person: the wispiest of wispy hairs) detailing to create rich visual narratives that surround her already deeply contextualized subjects. If you look at her artwork in person, you’ll see all the swirls and membrane-like pieces that make up the sum of a composition of faces, bodies, and identities– so much integrity and thought put to paper face via graphite, charcoal, or pastel:

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Toyin toys with anything from discussions on natural identity to more poignant POVs on say, racial profiling.

 

I’m happy to share that Toyin Ojih Odutola will be holding her first solo exhibit at The Whitney Museum this month, a commission that is well deserved by this outspoken wunderkind.

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Pregnant, 2017

 

Check out her upcoming show, To Wander Determined, at The Whitney Museum of American Art on 99 Gansevoort St., open to the public from October 20th.

I can’t wait to see it.

 

Home Secrets

I don’t call myself the ideal homemaker, and my friends know I rarely cook. I’d also prefer to use FlyCleaners, but they “don’t yet service in my area”.

However, thanks to the Amazon savvy lady that is my mother, combined with my penchant for taste, I have picked up some tips and tricks à la “Health, Household, and Baby Care

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that make me feel somewhat better about my aforementioned failures.

 

  1. Dry Shampoo

The Harmless One

 

 

 

 

 

 

 

Klorane Dry Shampoo with Oat Milk

 

My All Time Personal Favorite

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warning: it does have a strong English garden-like smell to it.

Batiste Instant Hair Refresh Dry Shampoo: Floral & Flirty Blush. I found this at Boots back in England. It will be a staple for life. I only recommend this scent. I’ve tried the others and I wouldn’t say I recommend.

What The People Say

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Oribe Dry Texturizing Spray: People have recommended this to me as one of the best on the market, but frankly the smell really irritates my nose and affects my sense of smell. Perhaps you might enjoy it. After all, we are all different.

 

Stains, the bane of white blouses.

If you are busy, sometimes messy, and selectively lazy like me, you’ll need something quick, effective, and something that won’t frustrate you for taking so long to remediate.

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Shout Wipes is your man (your men?). Many people swear by Tide Pens, but this is has taken out more stains for me from experience, and I also appreciate the fact that it’s technically impossible for the treatment to “dry” out before you use it because they sell these in single-use AIR TIGHT packs that retain all that good moisture and active chemicals. That’s what I primarily don’t like about Tide Pens. The pens aren’t dependably juicy. I like consistency.

Start with a 24 pack (I’ve linked you to that one), but I’d say go for the 80! No regrets.

 

Do you even know how humid your room is?

If you don’t believe me, take a look

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While the current humidity level of your rooms won’t affect most of you, you should care because your clothes are the ones that will receive the brunt of all the moisture. Save yourself the emotional pain that comes with a moth having eaten away at your $2,000 mohair knit sweater and buy these miracles that are the Damp Rid Hanging Moisture Absorber.

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The smell is also quite nice.

 The end.

But wait!

One more.

This isn’t really a home – grooming hack– it’s really just a life hack that’s made my life incrementally happier this past month:

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Limitless Coffee, an lllinois based coffee and tea company, has created some of the best flavored coffee I’ve ever tasted in The United States of America. For context, I’m a big coffee enthusiast, and while I don’t regularly go to cupping classes and such, I feel I have sufficient experience to tell you that this truly is different [a gem!] from any of the coffees that you or I’ve ever tasted— even judging against the big coffee names and my favorite coffee makers such as Toby’s Estate Coffee. I don’t know how else to say it.

It’s not sold in Whole Foods yet, but I hope a buyer finds it and places some big orders for New York, and quick!

 

Complement this homey read with some splish-splash music by Caravan Palace, a fairly unique electro-swing French band. My favorite song of theirs is Aftermath.

 

Italian Artist Gehard Demetz, my modern day Geppetto.

Formally trained in religious sculpture, Italian artist Gehard Demetz has progressed to become one of the most talented artists of our century. He wields his art technique and experience to create works, many with children as subject, that explore the dichotomies and marriages of contradiction… between that which is evocative and whimsical – provocative and contemporary. His sculptures often carry an energy verging on the socio-political.

He relies on mediums like wood and bronze and certainly knows how to make dry wood come alive.

These are my favorite works of Demetz throughout his career as a sculptor:

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Introjection. 2017, Wood

 

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Life Without Christmas. 2017, Wood

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Dirt on my Shoulders. 2016, Wood

 

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Restoring My Blisses. 2015, Wood.

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My Parents’ Stories Sound Different. 2015, Wood.

 

Personally, I would say his best works were made in 2013.

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Stones In My Pocket. 2013, Wood.

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Mom’s hands and daddy’s nose. 2013, wood.

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Complement these visuals with a contemplative rendition of Bach’s Christus, Der Uns Selig Macht, BWV 245, arranged by one of my favorite composers and pianists, Chad Lawson.

Frieze 2017

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Suspension and mirror play by Japanese artist Tatsuo Kawaguchi

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“Welcome,” she says. Fortuitously positioned by the South exit. I imagine this is how “I’ll burn holes into your eyes” would be played out literally. Nasty : Rich–  good stuff.

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Blackened shoes en masse by UK artist Jim Lambie.

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Schnabel! Broken plates on wood.

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Intriguing works by young artist Matthew Cerletty.

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A giant charcoal drawing of Obama in 2017 with his security– what a view.

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Technology, technology, technology… ever play that dinner game and pool all your phones together? I have, plenty of times. I win sometimes.

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Familiar– why?

Trending: artist Callum Innes

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My favorite discovery from the entire fair: Brazilian artist Waltercio Caldas – works in Neo-concretism and mixed media. Looked into his portfolio upon returning home, and I’m definitely hooked!

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And here I depart and bid adieu. A ton tour!

Good Menswear: You Don’t Know What You Don’t Know Until You’ve Seen It.

“Clothes and manners do not make the man; but when he is made, they greatly improve his appearance.”
—Arthur Ashe, Professional Tennis Player

In support of the art of dress, I give you a version of men’s style, reflecting my current style preferences:

Thom Sweeney – Beautiful bespoke, you spoke?

Herno Light Tech Thermo Jackets:

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The Gillet, available in multiple colors… muted too, yes.

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Bow – Tie, HENRY Loafer:

Necessary Anywhere Socks:

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There is no “better” or “right” style– I believe though that there’s something in the deliberation given to treating oneself and one’s body as a temple, outside and in– that is “style”.

All power to men who see and live that too, whether that be realized in the mode of Jaden Smith or Mr. Birddogs guys here:

I hope this scroll gives you enough pause to think how you might dress for the next morning 💫, and if not, then ponder this:

“Clothes don’t make a man, but clothes have got many a man a good job.”
—Herbert Harold Vreeland, Academic

Julian Schnabel: New Plate Paintings

Launched to fame in the 1980’s, Julian Schnabel‘s broken ceramic plate experiments heralded in a refreshing kind of art for the contemporary art world– cutting, reminiscent, and modern via a rough handling and bondage of paint and ceramic on wood.

While Schnabel created this rose series from the inspiration he received upon one of his visits to Van Gogh’s grave in Auvers-sur-Oise, France, he has worked also with portraiture, painting and immortalizing American names like Stephanie Seymour and William Gaddis.

Closing on March 25: Catch the rose works in their entirety at the Pace Gallery, 510 W. 25th St., before it’s too late!

Bises,

Soo

Speaking Too Little, Too Much

An artist has to understand silence
An artist has to create a space for silence to enter his work
Silence is like an island in the middle of a turbulent ocean -Marina Abramović

So….. how does one get to the island?


Verbosity comes easy to me, and unfortunately, there’s no shortage of words to be found in my being.

Over the past few years, my sisters and I have increasingly recognized my need to be both succinct and precise (when I speak, when I think, when I write…when I text!), for the sake of my future livelihood.

My sisters often rightly say, “the length or loudness of one’s message does not substantiate its actual quality or substance”.

Consequently, pithiness has become that far-reaching virtue of mine to cultivate since end of 2016.

Granted, this is easier said than done, and it conjures up from me many a sigh as I attempt (with the ferocity of Hercules as he battles off the great beast!) to remediate my little big habit.

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Hercules and the Nemean Line. Painting by Pieter Paul Rubens. What’s great to know is that he overcomes. So shall I– one hopes.

So what can I do, except write a haiku?:

“My mind moves too quick

Can I really control it?

Silence, come quickly.”

I thank my mother for never telling me I should become a poet. That would have been a lie anyways. 

Echoing David Ogilvy, king of witty and considered locutions, I plead tonight for endurance, for charm, for silence.

Bises,

Soo

“There are many fine things which we cannot say if we have to shout,” Henry David Thoreau
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Illustration by Maurice Sendak

A Prelude to Spring: Things I’m Loving

Our climate is in flux, the Great Barrier Reef is at risk (“in danger!” says Karlie), and New York is experiencing a true Four Seasons.

While concerns over climate change is becoming a veritable thing this season, spring to me sometimes just feels like… spring, and I’m left feeling giddy.

For those that are with me! Here’s some beauty to herald in our months of bloom with:

Pierre Yovanovitch, French interior designer:

See this extraordinary armchair complete with varnished oak feet: the Baby Bear Chair:

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Papa Bear and Momma Bear available upon request.

Solid & Striped, the Anne Marie:

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The Elle Top:

Julian Schnabel, Rose Painting:

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Oil, plates, and bondo on wood.

Showing at the Pace Gallery until March 25! 510 W. 25th St., NY, NY, 10001

Franz Kline, American painter and Abstract Expressionist:

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Franz Kline with one of his paintings.

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Laureline, 1956. Gagosian Gallery

Band of Friends

“There was a man all alone; he had neither son nor brother. There was no end to his toil, yet his eyes are not content with his wealth. ‘For whom am I toiling,’ he asked, and why am I depriving myself of enjoyment? This too is meaningless- a miserable business! Two are better than one, because they have a good return for their work: If one falls down, his friend can help him up. but pity the man who falls and has no one to help him up! Also, if two lie down together, they will keep warm. But how can one keep warm alone? Though one may be overpowered two can defend themselves. A cord of three strands is not quickly broken.” – Ecclesiastes 5:12

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This is my wonderful CG. It’s crazy to think that I’ve only known my friends here for a little over 3 months.

As a CG, we convene every week as a means to deepen our relationship with God and engage in fellowship. Here, I find myself being fed not just spiritually, but intellectually, physically, and emotionally. It’s almost indescribable to explain the encompassing and enormous nature of the benefits and joy I’ve received from these gatherings. I’ve also noticed that I’ve become more alert and acquired a heightened sensitivity to the going-ons in the world around me… to the conflicts and celebrations arising day by day in the personal lives of those I care about and also of those I was previously indifferent to.

Every week, we challenge each other with our questions regarding issues present in our world and current events, and around scripture; we ask each other about our careers, our job searches, our physical well-being – whether that leg is feeling better and how much exercise it’s taking, whether x project/x presentation last week went well; we rapidly learn intensely personal things about each other (exhibiting an unbelievable level of vulnerability and trust) I’m not sure I’ve ever learned this quickly in my other relationships.

We build one another up, and the effects of this is enduring and lasting throughout the week. Together, we actively seek and discuss ways to address and alleviate the hurt rampant in the broken world around us and to better each other as young citizens and humans bonded by a common belief.

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Sometimes I wonder if without this CG, I’d have ever befriended them or have even crossed paths with them. We all come from very different backgrounds and paths in life, and our personalities range across the entire color spectrum; it really would be hard to explain our deep friendships in relation to our compatibilities in the traditional sense of the word here.

Yet, these people have quickly become a home to me unlike any other I’ve found, and I can’t imagine a world not knowing them and not loving them.

I only wish I could explain to you better just how good this feels. How good he is to me.

Bises,

Soo

Soo’s 2016 Gift Guide

While the holiday season is indeed a time for many a celebration of significant histories propagated by religious institutions, it also heralds in a month of humanly epic proportions of consumption…

Engineer the perfect setup for a cozy evening in your urban abode this holiday, and use this time as an excuse to get some self-loving R&R.

1. Revolutionary Speakers

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Devialet Phantom

Patented intelligence and one tiny, savvy, smart sound system that packs an immersive sound experience in a very large room.

OR

2. Silent Headphones

Bose Quiet Comfort 35 Headphones

The first time I got my hands on Bose Headphones was when I “acquired” my dad’s QC 15s. Ever since, I’ve been hooked and fiercely loyal to this headphone line.

One of the best headphones I’ve ever used in my 24 years of existence– It’s not the most aesthetically pleasing, but personally, I really value being able to listen with uninterrupted focus to my music sans NYC noise over looking cool with my headphones. Function over form wins here for me.

Cnet Review: https://www.cnet.com/products/bose-quietcomfort-35/

3. Idyllic Drawings

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COCTEAU, Jean. Dessins

While Jean Cocteau was rather infamously remembered for being an aggressive social climber (cool fact: he was actually slighted in a portrait painting by Modigliani for these very reasons) and a “celebrity friend,” I deeply appreciate Cocteau for the writings, films, and doodles he created throughout his life. I think these reveal most significantly the contents of his character which do deserve remembering.

4. Relaxing Drink

pouilly

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Pouilly-Fuissé 2014 – Maison Louis Jadot

Not cloyingly sweet and not too crisp. I generally prefer red wine over white, but this one was really well balanced, and truly enjoyable to drink! Wine Spectator rates it in at a 91 — Good for drinking through 2022.

(Pouilly Fuissé is the appellation (A.O.C.) for this white wine (spec. Chardonnay grape) grown in Maçonnais (subregion) of Burgundy, France.

The labeling regulations for wine labels are very lenient; according to federal law, one is only required to list alcohol percentage if the proof is over 14%, and has liberal authority over what metric is signaled on the label header (such as Producer; Wine Region; Grape Variety). As a young wine drinker, these kind of things posed a great logistical challenge for me as I was trying to have deeper drinking experiences beyond that of a mere somatic examination. The Wine Spectator had an op-ed on this issue earlier this year, I’ll link it here once I’m able to find it–  a much more informative source, if you’re interested in learning more about the consequences of unsystematic wine labeling!)

5. Hand Candy

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Zalto Denk’Art Universal Glass

Boasting a modest, but sublimely delicate design, the Zalto Universal is competitively suited for all kinds of magical, multi-purpose drinking. It’s an absolute pleasure drinking from this glass and being able to indulge  3 senses.

I’ll be having a very warm and agape holiday season, and I hope you do too.

Bises,

Soo

On the Question of Seeing

Some weekends ago, I met up for lunch with Jee, a dear friend of mine and talented retail analyst and curator.  Having stuffed ourselves with the scrumptious food to be had over at Moma’s Cafe, we decided to partake in a much needed stroll over at MoMA’s permanent collections. Our promenade around MoMA’s floors was backed by the soft, intermittent patterings of female chatter– a soundtrack characteristic of a robust friendship such as ours. The program for the day revolved around the kinds of art we each liked and didn’t like.

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Got to see our favorite art together, Jee’s Chagall to my Magritte. Jee brought me to see this painting by Chagall. Marc Chagall was a French-Russian artist who was well regarded for masterfully synthesizing multiple art forms. This painting, I and the Village, boasts and imaginative and buoyant spirit though its bright color schemes and dream-like qualities. It’s said that the painting was meant to be a visual home for his memory of and relationship with the homeland he grew up in. I go back to my own memories of my childhood, and am content and grateful to feel things kindred to the ones here.

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I decided I wanted to emulate the painting’s spirit fully and be the horse– quickly remembered this is a public space and venerable museum– so I stopped.

I’ve always been fascinated by the individualities of seeing, how two people can regard the same object and come out with very different perceptions. So often do I come across a situation where one person finds something to be profoundly beautiful/good, while another comes to the polar opposite, yet equally certain conclusion for it (take this entire US election debacle, like how is that possible??! but the fact of the matter is, it is).

This conundrum is something I desire to understand on a deeper level:  What are the makeups that have constructed the way you and I presently see and react to the realities and the stimuli around us?

What are the recurring laws or patterns if any, that can help me to understand? Maybe a knowledge in perceptual psychology, neuroscience (Read this fascinating article on how political orientations are correlated with brain structure in young adults), and an aptitude for emotional intelligence would help, mais quoi d’autre?

I know that for me at least, art helps to explore this question further. In this practice of seeing, I am able to dig a little deeper into myself – my memories, my feelings, my hopes, my disappointments, & the thoughts and the hearts of the people in my circle. And in doing so, I find I understand life a little bit better.

I wonder what devices you rely on to see.

Happy Election Eve..

Bises,

Soo