Club 57: Film, Performance, and Art in the East Village, 1978–1983

Night So much experimentation and fun in the 70s and 80s, I wish I was a part of it:

 

 

Screen Shot 2018-02-25 at 11.29.41 PM.png

 

 

Screen Shot 2018-02-25 at 11.00.47 PM.png

 

 

Customized Matchbooks for Club 57’s 1983 Matchbook Show

 

 

 

Complement these visuals with the 1967 track of ze Vegetables  by The Beach Boys.

PSA*** Let me just say MoMA’s current exhibits are amazing (Specifically, three). This is a good month to go. I won’t spoil it for you, but there are some new, reckoning art for you to see.

Running through April 1 at The Museum of Modern Art.

Complement these visuals with the 1967 track of ze Vegetables  by The Beach Boys.

Expanding Boundaries of the Mind: The Future of Artificial Intelligence and Virtual Reality with Elon Musk and the Sundance Film Festival

Hi all!
As you know, I’ve been fairly interested in the Artificial Intelligence, Machine Learning, Virtual Reality, Augmented Reality, and Mixed Reality space.
 My personal surf usage usually spans and alternates between news and studies on that
and reading up on brilliant art or fashion shows such as Elie Saab’s Haute Couture.
Chris Milk is continuing to produce some great media for VR and MR, so you should look him and his production company, Within (formerly Vrse) up (Jocelyn: the videos I showed you and Tony last summer were produced by him). He recently showed a new one at the 2017 Sundance Film Festival and I heard it was MIND BLOWING! It’s called Life of Us, an expositional journey of our life as humans – music by Pharell Williams )
Sundance also hosted some very cool MR and VR installations like this:img_1635 I saw a demo of one which included not just the headset, but full audio and body set (vibrating suits??)– so complete immersion. It was so scary and pretty funny to see the physical realization of someone within this, and it also invoked some very powerful reactions from me even as a secondary viewer.
It’s almost as if there should be more invested discussions in the making of MR substituting for traditional medical solutions. From what I’ve seen, it has the potential to induce hallucinations and effectively distort mental cognition processes, and I really see it being a strong tool in the future for neurological malaises (or for people who just want to get high).
Lastly, neural lace!:
neural-lace
^ this will give you a short summary on what the possibilities for neural lacing look like for advancing human intelligence, but many more and better articles will go into depth on the potentials for this if you look up anything from Elon Musk, M. Banks, to neuroprosthetics + neural lace.
Basically, the development of neural lace or prosthetically made brain functions could in theory augment parts of our brain or simulate entire functions of our brain and we could all just opt-in in becoming Gandalf the Grey, Sauron, and Tony Stark… in one!
Crazy stuff happening our world, outside of the antics of the new Trump administration– news of those are sadly invading prime front page  space by the hour.
I’m heading over to an opening reception for one of my favorite galleries here, Paul Kasmin. Their upper location on 27th st. is dedicating an exhibition tonight to American Artist William N. Copley’s retrospective of women, how exciting! Especially after that march last week.
Wish you all could be here with me.
Bises,
Soo

Band of Friends

“There was a man all alone; he had neither son nor brother. There was no end to his toil, yet his eyes are not content with his wealth. ‘For whom am I toiling,’ he asked, and why am I depriving myself of enjoyment? This too is meaningless- a miserable business! Two are better than one, because they have a good return for their work: If one falls down, his friend can help him up. but pity the man who falls and has no one to help him up! Also, if two lie down together, they will keep warm. But how can one keep warm alone? Though one may be overpowered two can defend themselves. A cord of three strands is not quickly broken.” – Ecclesiastes 5:12

img_0968-png

This is my wonderful CG. It’s crazy to think that I’ve only known my friends here for a little over 3 months.

As a CG, we convene every week as a means to deepen our relationship with God and engage in fellowship. Here, I find myself being fed not just spiritually, but intellectually, physically, and emotionally. It’s almost indescribable to explain the encompassing and enormous nature of the benefits and joy I’ve received from these gatherings. I’ve also noticed that I’ve become more alert and acquired a heightened sensitivity to the going-ons in the world around me… to the conflicts and celebrations arising day by day in the personal lives of those I care about and also of those I was previously indifferent to.

Every week, we challenge each other with our questions regarding issues present in our world and current events, and around scripture; we ask each other about our careers, our job searches, our physical well-being – whether that leg is feeling better and how much exercise it’s taking, whether x project/x presentation last week went well; we rapidly learn intensely personal things about each other (exhibiting an unbelievable level of vulnerability and trust) I’m not sure I’ve ever learned this quickly in my other relationships.

We build one another up, and the effects of this is enduring and lasting throughout the week. Together, we actively seek and discuss ways to address and alleviate the hurt rampant in the broken world around us and to better each other as young citizens and humans bonded by a common belief.

img_0964-png

img_0965-png

img_0966-png

img_0967-png

Sometimes I wonder if without this CG, I’d have ever befriended them or have even crossed paths with them. We all come from very different backgrounds and paths in life, and our personalities range across the entire color spectrum; it really would be hard to explain our deep friendships in relation to our compatibilities in the traditional sense of the word here.

Yet, these people have quickly become a home to me unlike any other I’ve found, and I can’t imagine a world not knowing them and not loving them.

I only wish I could explain to you better just how good this feels. How good he is to me.

Bises,

Soo

Soo’s 2016 Gift Guide

While the holiday season is indeed a time for many a celebration of significant histories propagated by religious institutions, it also heralds in a month of humanly epic proportions of consumption…

Engineer the perfect setup for a cozy evening in your urban abode this holiday, and use this time as an excuse to get some self-loving R&R.

1. Revolutionary Speakers

screen-shot-2016-12-12-at-5-10-27-pm

Devialet Phantom

Patented intelligence and one tiny, savvy, smart sound system that packs an immersive sound experience in a very large room.

OR

2. Silent Headphones

Bose Quiet Comfort 35 Headphones

The first time I got my hands on Bose Headphones was when I “acquired” my dad’s QC 15s. Ever since, I’ve been hooked and fiercely loyal to this headphone line.

One of the best headphones I’ve ever used in my 24 years of existence– It’s not the most aesthetically pleasing, but personally, I really value being able to listen with uninterrupted focus to my music sans NYC noise over looking cool with my headphones. Function over form wins here for me.

Cnet Review: https://www.cnet.com/products/bose-quietcomfort-35/

3. Idyllic Drawings

screen-shot-2016-12-12-at-5-22-07-pm

screen-shot-2016-12-12-at-5-22-18-pm

COCTEAU, Jean. Dessins

While Jean Cocteau was rather infamously remembered for being an aggressive social climber (cool fact: he was actually slighted in a portrait painting by Modigliani for these very reasons) and a “celebrity friend,” I deeply appreciate Cocteau for the writings, films, and doodles he created throughout his life. I think these reveal most significantly the contents of his character which do deserve remembering.

4. Relaxing Drink

pouilly

pouilly2

Pouilly-Fuissé 2014 – Maison Louis Jadot

Not cloyingly sweet and not too crisp. I generally prefer red wine over white, but this one was really well balanced, and truly enjoyable to drink! Wine Spectator rates it in at a 91 — Good for drinking through 2022.

(Pouilly Fuissé is the appellation (A.O.C.) for this white wine (spec. Chardonnay grape) grown in Maçonnais (subregion) of Burgundy, France.

The labeling regulations for wine labels are very lenient; according to federal law, one is only required to list alcohol percentage if the proof is over 14%, and has liberal authority over what metric is signaled on the label header (such as Producer; Wine Region; Grape Variety). As a young wine drinker, these kind of things posed a great logistical challenge for me as I was trying to have deeper drinking experiences beyond that of a mere somatic examination. The Wine Spectator had an op-ed on this issue earlier this year, I’ll link it here once I’m able to find it–  a much more informative source, if you’re interested in learning more about the consequences of unsystematic wine labeling!)

5. Hand Candy

screen-shot-2016-12-12-at-5-44-23-pm

Zalto Denk’Art Universal Glass

Boasting a modest, but sublimely delicate design, the Zalto Universal is competitively suited for all kinds of magical, multi-purpose drinking. It’s an absolute pleasure drinking from this glass and being able to indulge  3 senses.

I’ll be having a very warm and agape holiday season, and I hope you do too.

Bises,

Soo

On the Question of Seeing

Some weekends ago, I met up for lunch with Jee, a dear friend of mine and talented retail analyst and curator.  Having stuffed ourselves with the scrumptious food to be had over at Moma’s Cafe, we decided to partake in a much needed stroll over at MoMA’s permanent collections. Our promenade around MoMA’s floors was backed by the soft, intermittent patterings of female chatter– a soundtrack characteristic of a robust friendship such as ours. The program for the day revolved around the kinds of art we each liked and didn’t like.

img_7470

Got to see our favorite art together, Jee’s Chagall to my Magritte. Jee brought me to see this painting by Chagall. Marc Chagall was a French-Russian artist who was well regarded for masterfully synthesizing multiple art forms. This painting, I and the Village, boasts and imaginative and buoyant spirit though its bright color schemes and dream-like qualities. It’s said that the painting was meant to be a visual home for his memory of and relationship with the homeland he grew up in. I go back to my own memories of my childhood, and am content and grateful to feel things kindred to the ones here.

img_7472

I decided I wanted to emulate the painting’s spirit fully and be the horse– quickly remembered this is a public space and venerable museum– so I stopped.

I’ve always been fascinated by the individualities of seeing, how two people can regard the same object and come out with very different perceptions. So often do I come across a situation where one person finds something to be profoundly beautiful/good, while another comes to the polar opposite, yet equally certain conclusion for it (take this entire US election debacle, like how is that possible??! but the fact of the matter is, it is).

This conundrum is something I desire to understand on a deeper level:  What are the makeups that have constructed the way you and I presently see and react to the realities and the stimuli around us?

What are the recurring laws or patterns if any, that can help me to understand? Maybe a knowledge in perceptual psychology, neuroscience (Read this fascinating article on how political orientations are correlated with brain structure in young adults), and an aptitude for emotional intelligence would help, mais quoi d’autre?

I know that for me at least, art helps to explore this question further. In this practice of seeing, I am able to dig a little deeper into myself – my memories, my feelings, my hopes, my disappointments, & the thoughts and the hearts of the people in my circle. And in doing so, I find I understand life a little bit better.

I wonder what devices you rely on to see.

Happy Election Eve..

Bises,

Soo

Osamu Yokonami: Is it About the Journey or the Destination?

Osamu Yokonami is a Japanese artist and photographer based in Tokyo who devotes his lenses to the development of photographs contemplating homogeneity. His group portraitures are regarded for invoking notions about identity, the collective, naturality, and youth.

osamusnow

Could be wrong, but pretty sure this is the photo that first pulled me to Yokanami.

I first became acquainted with Yokonami’s works at De Soto Gallery’s exhibition at the 2015 PULSE Art Fair in New York. His “Assembly” series was on display that day, and it most piqued my interest out of the swarms of art set out for many an art viewer’s purveyance. I ended up finding myself walking back to that booth section multiple times that Saturday afternoon, and since then, I’ve been  following Yokonami’s activities for nearly two years now (that’s what good art does to you peeps).

I find pleasure  in the idyllic qualities and the strange calm surrounding the odd  symmetries of his photographs- unsettling, a little disconcerting, and also very beautiful.

osamu

I don’t really know what exactly I feel when I see his photographs, it doesn’t remove me and it doesn’t forcefully push me to a place where I’m aggressively thinking about an issue, a topic, or a stance.

Yokonami invites us to dwell on the journey for truth rather than the desination, I think. Or that’s what I feel.

The closest description I could put in regards to Yokonami’s effect on me is that his works put me in a deliberate state of an “in between” (As I see it, my mind occupies at this moment of seeing a super charged space with elements ie. high stimulation + calm + little sparkly little things firing everywhere in harmonious and  purposeful direction, but I can’t really determine the end of where they’re going (not sure there’s supposed to be one, or if that’s the even the point/goal)). I feel curiosity seeing his works and pondering on them is an experience beatific.

Scroll through his series of 100×2 photos of female children posed with fruits (apples and oranges) on their shoulders– and you’ll feel something too I bet.

D
girlwithapple2girlwithapple3osamu-yokanami-apple3girlwithapple5

girlwithapple4

Personalities and energies of the children I found myself gravitating towards –felt increasingly in this descending order.

Bises,

Soo

Chad Wys on the Value of Retrospection

Last week, I had the chance to go to the opening reception for a show representing a favorite contemporary artist of mine, Chad Wys.

Chad Wys is a young artist and graduate of Illinois State University, whose passion for art and art history is affirmed by his burgeoning client list, which ranges from Vice Magazine to Harvard Business Review and Penguin Press.

Wys deals with mixed media, dabbling with ready made art and re-appropriating thrift finds and historical artworks, and marries realism and impressionsim with abstraction in revealing his unique ethos.

He gives commentary where it’s due: Take this clever piece of his of a burka masked over a realist oil painting copy of a young lady:

chadwys3

Beautiful and poignant, isn’t it?

Je joins aux présentes, à titre de rappel, un aide-mémoire présentant les engagements de Wys:

chadwys6

“Untitled”, my favorite. It’s tiny! The size of a letter page– an example of art best viewed digitally, at least for one lady.

chadwys2

chadwys5

Thrift Store Landscape w/ Large Bars, 2013. If you’d like to purchase a fashion product parallel to this, visit: Ghurka.

chadwys1

Trending Recent works

If you have the chance, hit up his ongoing exhibition (showing until October 1, 2016) “Not the Sum of Its Parts, Just the Parts” at Joseph Gross Gallery in Chelsea.

Instagram is also a fantastic way to get caught up on the work of this young talent: https://www.instagram.com/chadwys/

Happy perusal!

Bises,

Soo

Jean Jullien, I dub thee my Houdini of Illustrations

I’m an avid supporter of the arts, and for illustrations, Jean Jullien is my favorite artist for them by far.

The French artist’s claim to fame would arguably be at least for most public records, his impromptu illustration of the Eiffel Tower peace symbol in response to the terror attacks in France in 2015; This symbol was subsequently appropriated and propagated by every major and minor media outlet.

Might I also add that I had the pleasure of meeting him in New York that same year at a JUXTAPOZ Newstand Booth in the middle of Times Square? My right hand got to shake with his right hand. It was wonderful, although I regret to say that said hand has since been washed.
Jean Jullien manages to seamlessly blend light humor with real, and sometimes hard life truths, bringing light into the doldrums of life — the happenstances and practical things we get used to seeing and experiencing. He is quickly becoming a veritable influencer, a modern-day wizard, who injects lots of hope and much needed truths into the world.

Here’s a recent work of his depicting the #realreal of city life, specially selected for my fellow New Yorkers:

screen-shot-2016-09-09-at-7-52-11-pm

“I’ve always thought that the race to reach/build/own the tallest building in the city had something of a “male organ” contest. It’s all about erecting the furthest into the air. I can’t draw a male erection so instead I’ll draw a proud & symbolic NASAL ERECTION.”

screen-shot-2016-09-09-at-7-53-10-pm

(Left to right) Window Pane #1: “This is a very king of the castle kind of view. The one you want to wake up with every morning. For some reason doing it naked seems appropriate. Sort of like ‘I’m so powerful that i don’t have to wear pants…’ But you’d probably have to on the off chance that you have a less ambitious/more old-fashioned/prude/underaged/not as physically gifted neighbor who’d want to report you for indecency.                                                           Window Pane #2: “But it’s also a very ‘Movie Villain” kind of view, a typical Lex Luthoresque kind of view (if such a term exists– if not it should). Whenever I stumble in a room with such a baller view, I automatically walk to the window and put my hands behind my back & mumble something mischievous like “this is my city and soon they will understand and pay for their price of disobedience…’ but my rise to power pretty much stop there…”        Window Pane #3: “More realistically I feel that this is a more appropriate picture of what I’d look like if I ever end up living in a room with a view like that…An old disgruntled curmudgeon, bittered by a laborious life of hard work to get to the top of the world to only realize that you’re too old and saggy to pull that performance described two windows to your left.”

screen-shot-2016-09-09-at-7-54-10-pmscreen-shot-2016-09-09-at-7-54-17-pm

Bises,

Soo