Reflecting on Christina Baker Kline’s a piece of the world and Andrew Wyeth’s Christina’s World

I was inspired to read this poem by Emily Dickinson after finishing a piece of the world by Christina Baker Kline:

Learning From The Homes Of Famous Writers

“This is my letter to the World that never wrote to me”

“This is My Letter to the World”, goes like this:

This is my letter to the world,
That never wrote to me,–
The simple news that Nature told,
With tender majesty.
Her message is committed
To hands I cannot see;
For love of her, sweet countrymen,
Judge tenderly of me!

Kline’s a piece of the world revolves around the life of Christina Olson, the subject of Andrew Wyeth’s most renowned masterpiece, Christina’s World (you can find it at the Museum of Modern Art, 5th fl). Margaret Steiger, a fellow peer and art lover, also my supervisor at MoMA!, recommended me this book as she knew how much I loved Christina’s World.

Christina suffered from a life long illness (initially thought as having polio, modern day neurologists believe she actually suffered from Charcot-Marie Tooth (CMT) disease, which causes progressive loss of muscle tissue and touch sensation) that started to render the nerves in her arms and legs pretty much kaput as she entered adulthood.

In this novel, the character Christina (will now move forward referring to novel’s character as ‘Christina’ and the real Christina as ‘Christina Olson’), coming into her teenage years, and with a body severely limited in movement from the effects of a mysterious illness’ onset at toddler-hood, begins to develop a curiosity and ferocity of mind, and this coincides with her discovery and subsequent exploration of Emily Dickinson’s words at school.

Excerpts

“I agree. Rest is stupid. I am tired of this narrow bed, the slice of window above it. I want to be outside, running through the grass, climbing up and down the stairs. When I fall asleep, I am careering down the hill, my arms outstretched and my strong legs pumping, grasses whipping against my calves, steady on toward the sea, closing my eyes and tilting my chin toward the sun, moving with ease, without pain, without falling. I wake in my bed to find the sheet damp with sweat.”


“MRS. CROWLEY TOLD me once—the nicest thing anybody has ever said to me—that I’m one of the brightest students she’s ever taught. Long before the others, I have finished my reading and arithmetic. She’s always giving me extra work to do and books to read. I appreciate the compliment, but maybe if I could run and play like the other kids, I would be as impatient and distracted as they are. The truth is, when I’m immersed in a book I’m less aware of the pain in my unpredictable arms and legs.”


“I’m so tired of this mutinous body that doesn’t move the way it should. Or the low thrumming ache that’s never entirely absent. Of having to concentrate on my steps so I don’t fall, of my ever-present scabs and bruises. I’m tired of pretending that I’m the same as everyone else. But to admit what it’s really like to live in this skin would mean giving up, and I’m not ready to do that.”


“’Some memories are realities and are better than anything that can ever happen to one again.” Maybe so, I think. Maybe my memories of sweeter times are vivid enough, and present enough, to overcome the disappointments that followed. And to sustain me through the rest.'”


“My chin drips blood, my wrists throb, I am facedown in the wet, soiled dress it took me weeks to sew. The skirt is bunched up round my hips, my bloomers and misshapen legs exposed. Lifting myself slowly on my elbows, I survey my torn bodice. All at once I am so tired of this—of the constant threat of humiliation and pain, the fear of exposure, of trying to act like I’m normal when I’m not—that I burst into tears. No, I am not all right, I want to say. I am fouled, degraded, ashamed. A burden and an embarrassment.”

On Christina’s first experience with love:

“It feels as if my life is moving forward at two separate speeds, one at the usual pace, with its predictable rhythms and familiar inhabitants, and the other rushing ahead, a blur off color and sound and sensation.”


Reflecting on Christina’s World

I’ve always felt a deep connection with Christina’s World, ever since I first encountered Christina’s World as a university student.

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The work is an incredible sight and experience; numerous people from all over the world will tell you so as well: There’s painted a young, youthful girl painted in stark contrast against the muted landscape of a field and barn/farmhouse. Your eyes settle intensely on the seemingly feeble, yet remarkably dignified, stoic, and bold girl in pink dress.cri_000000165457

Personal Reflections

I was very sick when I was 13 and in my teenage years. The utter prison I felt like I was in, of not being able to wield my body at will, not being able to do things other kids do nor be carefree was a formative experience in my youth.

Thinking about my future was scary.

The picture my mind drew of my life was monstrous; It was only filled with more ifs, doubts and and despondence from wondering whether I’d ever be able to live the life I wish I had instead of living through it with a body I abhorred.

The memories do not go away easily //

Having to stay a couple nights in the St. Judes hospital deprived of sleep and watching Shakespeare in Love and The Man in the Iron Mask with my mother who bravely tried to stay awake with me and laid on a cot bed by me.

Stubbornly demanding and begging I get my license like all my other high school friends and be allowed to drive with my parents in car, and my father finally relenting, only to find myself losing control of the wheel, with my foot off the pedal and my hands fallen to their sides [and off the wheel] one day driving my family.

Blacking out, crossing the road and as I started to begin to feel time slow, seeing my dad not far behind me running so he could catch me before I fell.


I was engaged with this painting before I had learned of its background story and the life of Christina Olson.

Looking at her was as if I were seeing myself. Or seeing what I’d have liked to see in myself back then: a portrait of strength, boldness, and ferocity– dignified living.

I stood staring at her for a very long time.

And I’d come back to it again, and again, and again. As if I was drinking from a well.

Fast forward to 2020, having finished this book, which was a light and lovely spin-off and depiction of Christina Olson’s life, I find myself glad to be seeing Christina again, anew.

More Excerpts

“The House of the Seven Gables. ‘So much of mankind’s varied experience had passed there that the very timbers were oozy, as with the moisture of a heart.’”


Andrew Wyeth & Christina Olson:

“‘ I wanted to show the contrast with your skin. To highlight you sitting there.’

Now that we’re having this conversation, I realize that I am a little angry. ‘I look like I’m in a coffin with a lid half shut.’

He laughs a little, as he can’t believe I might be upset.

I stare at him evenly.

Running his hand through his hair, he says, ‘I was trying too show your…’ He hesitates. ‘Dignity. Solemnity.’

‘Well, I guess that’s the problem. I don’t think of myself as solemn. I didn’t think you did, either.’

‘I don’t. Not really. It’s just a moment. And it’s not really ‘you.’ Or ‘me.’ Despite what you think.’ His voice trails off. Seeing me struggle with the heavy oven door, he comes over and opens its for me, then slides the baking tray of biscuits in. ‘I think it’s about the house. The mood of it.’ He shuts the oven door. ‘Do you know what I mean?’

‘You make its seem so…’ I cast about for the right word. ‘I don’t know Lonely.’

He sighs. ‘Isn’t it, sometimes?’

For a moment there’s silence between us.

I reach for a dishrag and wipe my floury hands.

‘So how do you think of yourself?’ he asks.

‘What?’

‘You said you don’t think of yourself as solemn. So how do you think of yourself?’

It’s a good question. How do I think of myself?

The answer surprises us both.

‘I think of myself as a girl,’ I say.”


“EVERY WEEK OR ten days a thick letter in a white envelope with a two-cent stamp arrives in the mail. He writes from the library, from the dining hall, from the narrow wooden desk in his dormitory room, by the light of a gas lamp after his rugby-playing, gin-guzzling roommate has gone to sleep. Each envelope, a package of words to feed my word-hungry soul, provides a portal into a world where students linger in wood-paneled classrooms to talk to professors, where entire days can be spent in a library, where what you write and how you write it are all you need to worry about. I imagine myself in his place: strolling across campus, peering up at thick-paned, glowing windows at dusk, going to expensive dinners with friends in Harvard Square, where the waiters wear tuxedos and look down their noses at the unkempt students, and the students don’t care.”

Renouncing Morning Anxiety: Acts of Giving Thanks

“I receive your mercy”

I woke up with a heart of anxiety today, and that quickly led to dread.

Dread for all the things that could happen, dread as I replayed and overthought speculations and events whose residues laid like weights on my heart over and over again in the span of an hour.

That’s how I started my morning, until I decided I don’t want any more of my day to be wasted in worry: for things that haven’t even happened, for the things I did or how I was , but couldn’t have done or been any more better.

In this moment, I decided to lay that all down to God. I said some prayers inside, asking God in my internal dialogue, “help me turn this around.

I then continued to go about my morning to dos before settling down for the day’s start: making a plant based smoothie, boiling water for a cup of green tea, and taking my medication and supplements.

A lyric line from a song, “I’ll Give Thanks” by Housefires popped up in my head: “God’s not worried so why do I worry?” Posed as a question, but sung like a battle cry– an anthem of sorts.

"In the morning you sing over me, I receive your mercy.

Your faithfulness is clear to see, 

constant every day."

You know just what I need.

Also, here’s some savvy words with similar premise from Marcus Aurelius in Meditations, should anyone reading this prefer a secular text:

“that there is but a certain limit of time appointed unto thee, which if thou shalt not make use of to calm and allay the many distempers of thy soul, it will pass away and thou with it, and never after return.”

 

 

P.S. I am increasingly growing to understand that the praise and worship songs we were called to sing to adore you was made to really just preserve us. *chuckle* how little minded we are to think you need our praise, to think we do more things in service for your glory. I cannot help, but still and marvel.
"Every breath I breathe is an invitation to believe 
that you are creating something good." 
- Housefires, I'll Give Thanks

5 Habits I Picked Up in 2019

2019 has been a year: My first brand, ATEM, turned 1 year old, our cosmetics R&D startup is going into our 3rd year, and I turned 27.

In this time and despite my work taking most of my attention on my days (excluding Sabbath, Sundays!), I developed some new habits that have supported my betterment.

1. I started exercising regularly: 3 to 5 times a week!

Result: Exponentially increased physical health, increased mental fortitude (ie. focus), and emotional wellbeing

2. I started flossing daily, after setting up my daily habit tracker in July, 2019: I now floss every day without needing a reminder or a checklist to tell me I have to!

Result: Increased self-control: A developed appreciation for discipline and keeping to some “orders” of the day

3. I started regularly writing down things I am grateful for, or allocating a protected time to visually go down the the things I am grateful for.

Result: Increased mental and emotional wellbeing – rewiring the “space” for automatic negative thoughts to come in to a space for positive, gratitude filled thoughts.

4. I started making my bed more regularly: This is a habit to solidify in 2020 as I still do not keep to the habit.

Result: Increased self-control: A developed appreciation for discipline and keeping to some “orders” of the day

5. I started being more careful and controlled about the things I utter about myself or my life: Saying less “I can’t,” or “I’m not,” and more “I hope,” “I can,” and “I believe.” I hope to continue this habit into this year, and applying this principle as I speak of and to others as well.

Result: Increased mental and emotional wellbeing – rewiring the “space” for automatic negative thoughts to come in to a space for positive, gratitude filled thoughts. As Carl Lentz one said, “change your mind, change your life.”

A habit I would like to change completely in 2020 is not letting my moods dictate my actions as much, particularly in the physical with my waking and sleeping times. I had experienced a season of mild depression, and because of this, it was difficult to get out of bed at times I wanted to on a daily basis over a span of 2 some months. I felt like I was chained to my bed, and sometime woke up feeling like 2 tons of cement were lying atop me and I’d go to sleep again because it felt like too much of a struggle to try to fight it.  During this time, what I lost in time/productivity, I made up for, but this was not great for my overall health. This year, for my wellbeing, I would like to commit to regularly sleeping a number of hours per day, and waking up consistently at an earlier hour of the day. I write these down, as writing my intentions down will incentivize me to action.