Jee is an Associate Buyer for Barneys New York’s Developing Ready to Wear Women’s program– she’s a devoted merchant, a strong woman, and has impeccable style even has she ventures into unfamiliar fashion-forward territory, she is an image of the fashion girl you might envision, as working in a place like B, always wearing the latest oversized sweater or over-long sleeved dress blouse. Jee and I developed a fun friendship due to our similar familial backgrounds and similar interests. We’re 2 years strong now, and I’m very happy to call her as a friend in my inner circle.
Some weekends ago, I met up for lunch with Jee, a dear friend of mine and talented retail analyst and curator. Having stuffed ourselves with the scrumptious food to be had over at Moma’s Cafe, we decided to partake in a much needed stroll over at MoMA’s permanent collections. Our promenade around MoMA’s floors was backed by the soft, intermittent patterings of female chatter– a soundtrack characteristic of a robust friendship such as ours. The program for the day revolved around the kinds of art we each liked and didn’t like.
Got to see our favorite art together, Jee’s Chagall to my Magritte. Jee brought me to see this painting by Chagall. Marc Chagall was a French-Russian artist who was well regarded for masterfully synthesizing multiple art forms. This painting, I and the Village, boasts and imaginative and buoyant spirit though its bright color schemes and dream-like qualities. It’s said that the painting was meant to be a visual home for his memory of and relationship with the homeland he grew up in. I go back to my own memories of my childhood, and am content and grateful to feel things kindred to the ones here.
I decided I wanted to emulate the painting’s spirit fully and be the horse– quickly remembered this is a public space and venerable museum– so I stopped.
I’ve always been fascinated by the individualities of seeing, how two people can regard the same object and come out with very different perceptions. So often do I come across a situation where one person finds something to be profoundly beautiful/good, while another comes to the polar opposite, yet equally certain conclusion for it (take this entire US election debacle, like how is that possible??! but the fact of the matter is, it is).
This conundrum is something I desire to understand on a deeper level: What are the makeups that have constructed the way you and I presently see and react to the realities and the stimuli around us?
What are the recurring laws or patterns if any, that can help me to understand? Maybe a knowledge in perceptual psychology, neuroscience (Read this fascinating article on how political orientations are correlated with brain structure in young adults), and an aptitude for emotional intelligence would help, mais quoi d’autre?
I know that for me at least, art helps to explore this question further. In this practice of seeing, I am able to dig a little deeper into myself – my memories, my feelings, my hopes, my disappointments, & the thoughts and the hearts of the people in my circle. And in doing so, I find I understand life a little bit better.
I wonder what devices you rely on to see.
Happy Election Eve..