Engineer, Agitator, Constructor: The Artist Reinvented Exhibition at the MoMA

Engineer, Agitator, Constructor: The Artist Reinvented at MoMa. On view through April 10, 2021

Things I loved about this exhibit:

It was interesting to see the works of artists who promoted more utopian, democratic schools of thinking and then went onto become fascists.

I loved seeing the works of Swiss graphic designer Max Bill, which I love, in person.

Loved studying the reigning types and typography of these artists in regions of Germany, Poland, Latvia, etc. in the period between WWI and WWII.

The exhibition showcased the works of many influencers of or from the Bauhaus school– for that alone, this exhibition is worth seeing!

Poster for exhibition of furniture by Wohnbedarf et Le Corbusier’s Maison de Verre (Immeuble Clarté (1933), letterpress by Max Bill

I loved the story behind this artwork so much. The photographed man was involved in the design of some project involving pool, but was not permitted to utilize-enter the pool because he was Jewish. His friend creates this collage piece with him in pool. The work is an impressive act of protest– and one that signals the dignity of the subject:

Another collage I liked, this one the size of a palm:

I appreciate how much the exhibit focused on showing the final versions and the maquettes of magazine pages and spreads.

A maquette for Plan for Socialist Offensive magazine spread, for 30 Days, no. 11 (1929) by Latvian Gustav Klutsis

As someone is largely self-taught-teaching-herself art, these maquettes and the finished magazines offer a fascinating view into process.

Plan for Socialist Offensive, in 30 days, no. 11 (1929) by Latvian Gustav Klutsis

I loved the design of these postcards:

Postcard for the exhibition Dommerstock Housing Estate: The Functional Dwelling (1929) by German artist Kurt Schwitters

Poster Designs:

Of lesser importance, but one that provided an opportunity for me to learn more about architecture (I’ve recently developed an interest in learning more about architecture as an acquaintance of mine is one).

Untitled (study for building) (1925), Ink, colored ink, gouache, and pencil on paper by German artist Fritz Schleifer

AIA Center for Architecture

Morning meeting & tour with The American Institute of Architects team.


It is good to see them doing good work.
I didn’t know this about @aianational , but it puts much of its efforts into working to offer design education to as many students they can from K-12 highschool to college. Many of us, including myself are privileged to have access to education around art and design every day. Some forget how special it is to have the freedom of choice to pursue any dream.

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Tackling accessibility in all its forms is something I hope to work for and serve every day.

As I was heading back to my office, my thoughts went to a letter by President John Adams that says this:

“I must study politics and war, that our sons may have liberty to study mathematics and philosophy. Our sons ought to study mathematics and philosophy, geography, natural history and naval architecture, navigation, commerce and agriculture in order to give their children a right to study painting, poetry, music, architecture, statuary, tapestry and porcelain.” 

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Wall murals on turquoise backdrop were installed as a result of a competition the AIA and the Housing Preservation and Collaboration collaborated on.

Wall murals on turquoise backdrop were installed as a result of a competition the AIA and the Housing Preservation and Collaboration collaborated on.

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This photo is an example of the kind of worksheets they use to educate the kids.

This photo is an example of the kind of worksheets they use to educate the kids.

I am glad to be working with them.

#urbanplanning #accessibility #community #designinnovation #architecture #atemliving

September 2017: Art Shows to See

Here are some shows to be excited about and below is a view of my favorite works from the referenced artists. Look out for them if you go!

Suzan Frecon’s Oil Paintings, David Zwirner Gallery, 525 West 19th Street, New York (9/15)

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Campana Brothers: Hybridism, Friedman Benda Gallery, 515 West 26th St, New York

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Noah’s Chair, Noah’s Bench, 2017

 

 

Ad Reinhardt’s Blue Paintings, David Zwirner Gallery, 537 West 20th Street, New York

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Number 88 (Blue), 1950

 

 

Rodin at the Met, Metropolitan Museum of Art (9/16)

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The Age of Bronze, 1876