Very emotive figurative works by Noah Davis:
“I found my drive to diversify permanent collections. They are the beating heart of the art world. If you can change the collection, you can change the public story of art.” – Helen Molesworth
I really attempted to make the most of my short days here and I ambitiously set out to the Rijksmuseum to see as much art as I could. I believe I really did get through almost all the art excluding the Middle East room, as exhausting and unbelievable as that sounds!
I was laser focused.
Below are the pieces that really struck me one way or another for various reasons:
Hortense caught my eye for her beauty, but also because of her relation to Napolean. I read up on her husband recently (step son of Napolean, son of Napolean’s first wife, hence my familiarity with Beauharnais his name), and the house of Beauharnais caught my attention as I read the placard to see who this painting’s beautiful subject was. Apparently she did not like the environment of the Netherlands, so even as a ruler there, she spent most of her time in court in Paris. huh.
Sibylla caught my eye for her beauty, and for her having been recorded in classic antiquity as having given prophesy about Jesus coming. This is news to me. I am excited to read more on it.
This looks so mischievous, and it made me smile. And so it’s here. Being nostalgic for the things we used to do as kids is good. to a degree. hopefully we can all continue growing up with it kept instead of looking back to mourn what’s good that’s been lost.
A Rembrandt x Diego Valesquez special exhibition was up, and exhausted as I was by the end of my main museum roundabout, I could not miss this. It ended up being a little questionable. Not the works themselves, but the way they were curated, described, and the way the curators developed the narrative [dare I say it!] was poor, misleading, and unclear– like me during my high school days trying to write essays just to meet deadlines and pass with absolutely Zero intention of actually desiring to convey a point. That is really what it felt like.
The lamb (symbolizing Christ) was great though.
Other Rembrandt pieces were technically lovely, and I felt honored that I was able to see more of his pieces in person, but I’m not adding them here because they didn’t move me. Otherwise that would be an act of compulsion influenced by prestige, which is no bueno.
This a scene depicting Bethsheba and David (in the castle peeking out of the squared piece) desiring after her. It’s a Bible scene (basically for anyone who does not read the Bible or does not remember, David fell in love with B, but she was already married to a guy that was under his rule (as king) so he sent the dude off in “war” (to be killed really) (and there goes another Bible story of how humans as great as kings make terrible, terrible mistakes)
I loved this painting for its raw sensuality. It just jumped out at me and called me. Venus and her son is asking Adonis not to go. I love the way Adonis holds onto her lips tenderly like that, and that lovers’ gaze is real.
While this is definitely the more hedonistic counterpart to the former, I still find the scene very beautiful. Love, or love as it moves reveals itself in different forms and ways and meets different ends. While satyrs were mainly negatively characterized in tales of old, there is the wildness and freeness of them that I look to with positivity in part. I just love the play I saw. Even if it probably foreboded some very bad news bears between satyr and nymph (like when Pan chased after a nymph to the point she had to turn into reeds!).
While this painting was technically rendered incredibly beautiful, the substance of it disturbed me very much. It recalls a Bible story of a time people were punished for their mistakes and so all the men were kaputed, except Lot. These are his daughters, who feared not being able to bear children, and so they got their father drunk and seduced him to bear. It conjures in me many thoughts too (like how sometimes, we’re *so* for getting to the end, we forget about the means that we’ve taken to get to the end).
“The 14 year old boy is married with the 9 year old girl, and a kingdom is elevated.”
My thought ^ : basically opened a can of thoughts. So many ramifications to be unpacked
This just makes me happy 🙂 And it reminds me of me, inside.
This reminds me of a family I would have liked to have had. Nuclear.
Shoes and socks and very anti-Comme des Garcons let’s vomit unicorns and rainbows cute flower coin wallets: Golf le Fleur
Socks and crazy beautiful visual narrative with brand site, I’ve been obsessed for months: Dueple
Glorious silhouette and fit for a women’s coat, except I wish there wasn’t that double button back closure decorative thing– kills the rare win in the “simple magnificence”: Ulla Johnson
August 5, 2019_Monday
On an average work day or Saturday, I am carrying around 15 pounds worth of papers and books– add in a couple extra pounds considering I carry my gym clothes and sneakers around with me too.
I haven’t worn a high heel in over a year.
For the longest time I slung Goyards, Longchamps, clutches-purses-decorative backpacks that did not hold [anything] everything, and whatnots for the sake of preference and style.
At 26, those things no longer serve me.
Rather, the pain & inconvenience to pleasure ratio makes it so that I’ve begun to serve them.
So bye I said to wearing my 3 – 4 inch heels a whiles ago.
While I am not exiling my bags yet, what I did do Sunday was stop by Patagonia [for the first time in my life] and buy a backpack (The Refugio 28L) with awesome shoulder and back padding.
For me now and in reference to extremes, I’d rather have a comfortable body than a beautifully ornamented one– this coming from someone who deeply loves fashion.
I’d personally rather wear and apply things that preserve my posture, my youth, and support my activities in a way I see fit.
What about you?
I’ve been following this Australian brand with great interest for the past year; the overall silhouette looks a little rough, but as an accessory that completes a “look”, it looks absolutely fantastic. A total success in comfort-luxe, and that’s the place I love to be in, style-wise:
I’ve been over Common Projects for a while, but wow, I must appreciate this fresh take on its now omnipresent sneaker style:
And of course, not to ever be neglected are Manolo Blahnik flats; I am always appreciative of them– particularly the crystal buckled styles: