David Zwirner Gallery: Endless Enigma: 8 Centuries of Fantastic Art

Chris and I go on a lengthy art gallery hop through Chelsea, and I’d have to say this was our favorite pit-stop: David Zwirner Gallery, a stellar power house.
We had to gulp down our cappuccinos.
So happy to see works I’ve never seen before in person from artist like Max Ernst and Rene Magritte. I have a particular attachment to the Dada and Surrealist movements.
René Magritte

A rather tempered work of Hieronymus Bosch:

Hieronymus Bosch

Siren-like beauties– very much like the Valentino SS 2015 Campaign. I’d say almost identical in interpretation. I’m not sure about the strength of Leonor Fini’s other works, but my goodness, to have this in my home:

Leonor Fini

Things that make my childlike soul go hop!:

Amazing mastery of painting, and the chemistry between the movement of the waves vs. the wood like whorls of the levitating mass:

Max Ernst

The power of women:

The detailing and lifework on this was superior:

Richard Humphry

Birds and wood:

Herri met de Bles

Running until October 27 @ David Zwirner Gallery

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The Dreamers, a story of denial, withdrawal, and sexuality– how French.

(written, but unpublished from August 23, 2017, age 24)

 

The Dreamers is not for the sexually faint of heart, but it is truly a story to behold.

The lines that stayed with me:

“One of us, one of us!”

 

The scenes that stayed with me:

When Isabelle’s hair catches on fire, and Matthew is instinctively aflutter with trying to take it out and the scene fuzzes out and in–and everything seems to just slow down with that gaze..

Obviously, one of the most sensual and irreverent sex scenes I’ve ever seen. Isabelle and Matthew having sex for the first time in the kitchen whilst Theo makes some eggs for himself in the background, copping a cig, with a literal revolution (student demonstrations) and chaos unfolding on the streets.

Theo and Isabelle playfully slams the door on Matthew in the rain. And he’s locked out. A true third wheel in the most unnatural sense of the word. Matthew is left standing for moments that seem like a life-time, exasperated, dejected, rejected, third-wheeldified. So much passive aggression in this scene. SWEET RICHNESS.

All the gazes!

The best scenes and moments are left untouched so you’ll have to watch the film on your own if you’re curious to and want to understand what the hell I mean from the above.

But here’s a couple of photos to brief you 🙂

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Toyin Ojih Odutola: When Legends Die

Toyin Ojih Odutola: When Legends Die, running until October 27, 2018 at Jack Shainman Gallery, 524 West 24th St.

Musings & Tucans in Le Marais

I am sitting in a very pretty coffee shop called the Yellow Tucan.

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The cafe owner decorates the cafe with bright spots of yellow: oranges, tulips, architectural chairs, and truly brightens up the spirits of anyone stopping in.

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It’s been 4 days since I’ve arrived in Paris.

Outside of my meetings for work I’ve committing to a practice of solitude as that’s what I have been looking for as I chose to take this trip– to recalibrate and deepen my focus.

After a sprint of work here and finishing this letter, I will go out to meet a friend, Pierre, to do what’s perhaps some much needed socializing. We will be going to the Musee de la Chasse et de la Nature. It will be my first time, and I am so very excited to go as I know the decorative art pieces there are splendid!

It hasn’t been difficult at all to find new friends here. There have been the hiccups of having to ward off men though. …on runs, during walks between meetings. But it’s nothing.

Work is going very well, although I’m shy to share with you the details of the project I have been working on just yet. It takes a lot of preparation, a lot of risk, and sharing sometimes feels scary because it feels like I am putting all my eggs in one basket, when I myself am not absolutely sure where this heading. But this I think is the scared me talking. 🙂

Things are moving very quickly forward though. It’s enough to excite me and frighten me simultaneously.

I hope I have the courage to continue on.  And if not, I hope I have the courage to take up something new again. To persevere, and also to be brazen when acting for the good things– the worthy things.

Arming myself for the days ahead.

Love,

Soo

 

 

 

Club 57: Film, Performance, and Art in the East Village, 1978–1983

So much experimentation and fun in the 70s and 80s, I wish I was a part of it:

 

 

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Customized Matchbooks for Club 57’s 1983 Matchbook Show

 

 

 

Complement these visuals with the 1967 track of ze Vegetables  by The Beach Boys.

PSA*** Let me just say MoMA’s current exhibits are amazing (Specifically, three). This is a good month to go. I won’t spoil it for you, but there are some new, reckoning art for you to see.

Running through April 1 at The Museum of Modern Art.

Complement these visuals with the 1967 track of ze Vegetables  by The Beach Boys.