It’s quite funny actually– like mother like daughter they say 🙂
We arrived at our intense loves for French culture independently, really.
My mom as a high schooler loved studying French and French culture. She said it was due to an inspirational and charismatic teacher. She loved the language so much she got her Bachelor’s in French and if not for the conservative times in South Korea in the 80s and the social demands of her family, she tells me she would have moved to France right after university. At the time, her father, my grandfather, particularly was adamantly against the idea.
I too, loved France since I was a kid. In middle school, I picked up French as an elective, and I ended up really enjoying it. I was “christened” Juliette– a name I was head over heels with. “So pretty!” I thought. Entranced first by the beauty of the language, as I grew older, I quickly ended up being in love with everything else as I was exposed to other elements of French culture: the food, the cultural practices, the entertainment, the people’s way of living. I even booked a flight to France right after I graduated NYU, and had paid the deposit for a studio and the tuition for a 6 mo. program at La Sorbonne haha– so bent was I on moving there and figuring out a way to get a visa… a job… and a life in a place that seemed so much like home. None of these things ever ended up happening. Different circumstances, along with different decisions come into play, along with different people… and life goes on.
We are so grateful whenever we are able to come back to this country that has left such an inexplainable and cosmic mark on our souls and spirits.
I’m sad that my mom is leaving today.
Our vacation to the south of France is our first mother daughter solo trip since maybe… 2016? I think I should do this more often. It’s been such a blessing getting to know her more deeply this past week not just as my mother, but as a fellow woman and peer.
Formally trained in religious sculpture, Italian artist Gehard Demetz has progressed to become one of the most talented artists of our century. He wields his art technique and experience to create works, many with children as subject, that explore the dichotomies and marriages of contradiction… between that which is evocative and whimsical – provocative and contemporary. His sculptures often carry an energy verging on the socio-political.
He relies on mediums like wood and bronze and certainly knows how to make dry wood come alive.
These are my favorite works of Demetz throughout his career as a sculptor:
Personally, I would say his best works were made in 2013.