The Women’s Course: Tea & Bites, Art Hopping & The Fantastic Mind that is Mark Manders

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Two of the greatest fruits of my first job.
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Examining intellectual men.
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I implore my girlfriends for the memory stocked #selfie
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This too for memories.
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A joyful trick of the eye. This is cast bronze, not clay.
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A close view at the faces and you’ll see they are all the same. A simple view of self-potraiture

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Lips

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A body, un-indentified. The pen/pencil, a door of entry to the mind.
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The floor itself acts as a canvas, like a painting as it’s been stretched and staples onto a wooden board acting as perimeter to the room. Thoughtful! Process oriented.

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Mark Manders: Writing Yellow on view at Tanya Bonakdar Gallery, 521 W. 21st St. On view until May 24, 2019

September: Art Shows

Here are some shows to be excited about and below is a view of my favorite works from the referenced artists. Look out for them if you go!

Suzan Frecon’s Oil Paintings, David Zwirner Gallery, 525 West 19th Street, New York (9/15)

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Campana Brothers: Hybridism, Friedman Benda Gallery, 515 West 26th St, New York

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Noah’s Chair, Noah’s Bench, 2017

 

 

Ad Reinhardt’s Blue Paintings, David Zwirner Gallery, 537 West 20th Street, New York

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Number 88 (Blue), 1950

 

 

Rodin at the Met, Metropolitan Museum of Art (9/16)

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The Age of Bronze, 1876

 

Julian Schnabel: New Plate Paintings

Launched to fame in the 1980’s, Julian Schnabel‘s broken ceramic plate experiments heralded in a refreshing kind of art for the contemporary art world– cutting, reminiscent, and modern via a rough handling and bondage of paint and ceramic on wood.

While Schnabel created this rose series from the inspiration he received upon one of his visits to Van Gogh’s grave in Auvers-sur-Oise, France, he has worked also with portraiture, painting and immortalizing American names like Stephanie Seymour and William Gaddis.

Closing on March 25: Catch the rose works in their entirety at the Pace Gallery, 510 W. 25th St., before it’s too late!

Bises,

Soo